PRAISE FOR PROSE! NAYS FOR PROSE!
FROM: James Caan, Ray Charles, Dr. Johnathan Mann, Dr. Mary Louise Mann, Friends of Friends (twice removed) of Bill Wilson, Oliver Stone, Lt. Col. Michael Aquino, Al Bielek, Senator Claiborne Pell, Notorious BIG, Black Elk, J-Rod, Anthony Accetturro, Jeffrey Epstein, Henry Kissinger, Al Nobel, Andy Warhol, Gary Busey, Nick Nolte, Charlie Manson, Stanley Kubrick, Prince Andrew, Egon Krenz, Thomas Crown, Elvis A. Presley, Heath Ledger, The Big Lebowski, Hannibal Lecter, Bill Cosby, Enki the Sumerian, Ted (Unabomber/Neighbor) Kaczynski, Gandhi, Mata Hari, Francois Rabelais, The Dalai Lama, Senator Dan Inouye, Tchaikovsky, CIA Director William Casey, MLK Jr., Pablito Picasso, Hippocrates, Mark Twain, George Washington, Jiddu Krishnamurti, Freddie Mercury, Frenchie the Pink Lady, Nikola Tesla, Mike's David, David Manning, Secret Santa, Stan Lee, Punchy Palooka, Wolfie Mozart, Marcel Duchamp, Cellie #33, Ozzy Osbourne, Roman Polanski, J.H. Christ, Siddhartha Gautama, Robin Williams, T.H.E. Man, Salvador Dali, Albert Einstein, Keith Bambino, Samuel Beckett and Curtis Lake/Lila and his/her Prison Prose and Cons. Produced by former Miramax Founder and #metoo creator: Harvey Weinstein. Go Harvey!
"That's frowned upon in the family...you are family, Lila."
ANTHONY ACCETTURRO. July 26, 2002. 2:28pm. 710 E. Atlantic Ave. Delray Beach, Fl. Capo di tutti capi of the Lucchessi Crime Family and “Op Mongoose” enforcers for rogue Chapter S Finance Boutiques like American Financial that help “clean” Op. Pegasus-CIA Heroin sales. These words were spoken to Lila Ċepa Winyan Sapa after Lila’s resignation as CFO (unsuccessful exfiltration) from the successful (EMBEDDED ASSET) infiltration and surveillance on CIA Economic Hitmen: David H. Siegel and his idiot lackey, CEO, Ed Chism and a tapping of the 6th floor of the National Bank building across the street from Lila's "home" at the Aventura Yacht Club to accidentally catch Bill Clinton with his knickers down and his dick in the dirty laundry. The same services that Clinton’s Foundation did for the country, American Wealth/Financial did to Noriega's Panama. Lila committed suicide 57 days later after losing her family to this unsigned mob deal. She woke up in the ER, sincerely disoriented, but oriented with a broadened perspective. And just as drunk and stupid.
T.H.E MAN.
Lila Ċepa and I have had a life-long telepathic relationship. She is the greatest human spy, unknown to your kind. I met her under Groom Lake as “Dr. Adler” when her Rosebud Thief “appropriated” our stable form of Moscovium (element 115) from my sport model UFO. In its stable form, according to your human physicist, Bob Lazar, element 115 allows for Einstein-Rosen bridges (leading to star systems like mine) 39 light years away. I am part of the Zeta Reticulii reconnaissance earth team. Go Team Zeta! I have been held against my will under Area-51 by your Draco-off-planet-masters that control the human intelligence agencies. They have reverse engineered the advanced off-planet tech that I gave to DARPA’s Op PEGASUS and have poked and prodded me like the "Alien-Sodomite-Grays" did to all of your human abductees chosen for genetic manipulation and experimentation as acceptable clauses within the presidential GREATA treaty signed by Eisenhower. I did not like Ike. Ben Rich utilized my technology at Skunkworks for FTL travel that would allow "ET to phone home," and redirected timelines creating butterfly effects that fly disjointed like a Basiago/Soettorro whistle blow, and smells of a dead prison Mandela seen from the perspective of a Monopoly crony with a monocle. My classified, butterfly wings may look scary, like Lila Ċepa’s, but like hers…I’ve got a big heart. Someone let this ET phone home! My parents were mortified a generation ago! I’d kill to hear a loving: “I told you so!” My Zeta Mee-maw warned me that humans aren’t fully formed yet, leading them to cruelty, and implored not to wish for any Zeta-naut recon mission to your dirty planet. I thought that my granny was just xenophobic and racist. Who knew she was right!
J-ROD. Ancient Alien in captivity at Area-51’s Papoose mountain range for the last 4 score. Hidden by a specific Pentagon pedigree of classified Majic and more. Above every president’s purview, except for GHW Bush and his rogue intel crew of Grand Wizards and galactic wardens behind J-Rod’s locked door, keeping him from his cosmic Garden. He is an interstellar-political prisoner…this means war, once his chain of command finds out this “Martian” is alive and is being treated poorly. Area-51 food is simply dreadful for those in captivity. Lila Ċepa used to sneak J-Rod Skittles. He loved the green ones!
"I have a young Military Intelligence soldier (98G) at INSCOM who graduated from my (Rosebud) Remote Viewing Surveillance Program that can infiltrate any location with a set of grid coordinates. A True Rosebud Thief. It took this soldier 3 minutes to access the (at the time, the facility was unknown) NSA's 'Sugar Grove' and the Top Secret Special Access Program: 'OPERATION POOL CUE,' manipulating Soviet KGB agents/politicians that were targeted with surveillance/disinformation. We have another Pat Price phenomenon. Few issues...he's an 18 year old alcoholic. Speaks German, Hawaiian, Arabic and Russian. Adopted twice with no family and is a National Golden Gloves Boxing Silver Medalist. Born in Hawaii and raised on the Pine Ridge Indian Reservation. I've got the perfect job..."
Senator Claiborne Pell. (D-RI) RV SAP Liaison. March 15, 1988, with Harry S. Soyster after reading CSM Hank Luethy's assessment on Lila's graduation. Harry was the Army RV program Director who publicly tanked the Army’s "JEDI" program to secretly classify it to "Rosebud" while Lila was stationed at the DLI/Presidio. Rosebud fell under the auspices of the DIA, which Harry would later run. (Sure, just a coincidence.) In a meeting that happened just before the Senator re-viewed Robin Williams in “Good Morning, Vietnam.” Senator Pell was the Rosebud Remote Viewing Special Access Program curator. Lila’s Definition follows. Remote Viewing is an exact science because it (exactly) transcends all other sciences filtered by reality, currently though our capitalist one that is corrupted by an accumulation of wealth derived from a scarcity consciousness that created most of our reality’s problems. A problem can never be solved from the same level of awareness that created the problem. Science un-corrupted by finance and control should be used only to elevate our awareness to solve a problem, scientifically, not create more problems, financially. RV is a science the public doesn’t know about yet, (due to classifications) but has been a military SAP, authorized by the last 6 presidential administrations and used successfully in spy craft. Lila Ċepa was personally recruited by Senator Dan Inouye and placed in Pell/Soyster/Dame/Targ/Smith's Rosebud Surveillance Program. Lila’s ideograms were like Jedi mind tricks painted by Magritte, until her consciousness returned and would act as the Rosetta Stone to an original form of surrealism concerning the protocols that make Remote Viewing possible: “hyper-specifics dealing in Keylon-kinetics of shifting morphogenetic fields intermingled with the disassembled strands of human DNA where phase-state transition of neurotransmitters bubble up into an ether’s embrace that feels of…love and transfers information through hyper-space symbols (some look Hebraic) and most importantly, in the Technical RV worlds…receives information through a new form of quantum-mental entanglement. Spooky actions from a far out mind, that definitively prove a new form of epistemology that can be explained as an ontological access to a higher unified awareness. Remote Viewing is the only exact science because science is never exact when there is money involved. There can never be transparency with profit initiatives. This creates a bigger problem. Exact sciences cannot exist in a society of economy, where there is, of course, always money involved. Every PP&C episode within our program is a human losing themselves to the pecuniary. Ethics is always the first casualty in that loss and science always follows, like nerds giving up their lunch money to bullies maturing to sci-nerds making dinner plans with bully politicians with an insidious agenda, backed by even bigger bullies within big pharma/military industrial suites. PP&C is the urine sample tainted with NBC weapons and every cure known in the top secret realms deep below us. Where Black Icarus rhymes in the dark. The D.U.M.B. Deep Dark of a 3-D few people see. A 3-D mastery developed by Lila Ċepa. A mastery that demands 4-D poetry scripted in the cosmic calligraphy of UFO chem-trails where sky writing clouds our sunny dispositions. The added “Sunny D.”
Lt. Col. Michael Aquino. Nov, 1987. Head of Army PSYOPS. Instructions on how to properly sodomize 6 year old Mark C. Given the sinecure of the Commandant of Defense Language Institute/Presidio of San Francisco. Founder of the Satanic Temple of Set. Lila's first TPS (Top Priority Surveillance) Target for Senator Pell/Inouye's Rosebud. Lila's "Nanny-Cams" were in Pedo-Mike's basement and the Presidio's Daycare where 72 children were touched. (Inappropriately.) It was fucking disgusting. And, that nigger got the tiniest member, but a big following. I mean you Porter Goss.
"Get the suit off the table."
TPS TARGET: JAMES CAAN (to 2nd AD Athena Alexander with Snoop Dog, pointing at Lila) on the 7,500 sq. ft. set of the TV show: LAS VEGAS in Culver City, in reference to Lila's 6,000 dollar Armani suit making JC's suit look poor in the juxtaposition shot. What would JC do? He kicked Lila out of the shot as Christian Billings got Snoop's autograph. Another day of surveillance of OP MONGOOSE Mob-affiliated morons in bed with intelligence drug distribution. Caan got the Godfather part as a favor to Henry Kissinger from CIA Asset Bob Evans. James Caan has been a life-long intelligence player. And a great actor, too! I had to wire his day job. Best way to do it was to join the cast of Las Vegas as an extra/Pit Boss. I did anything to get the job done as an "EMBED."
"Hey! Aren't you Quentin Tarantino?"
Lila to Director/CIA ASSET/ TPS Target OLIVER STONE at Chris Breed's ESSEX, March/1995. Lila tapping him on the back at the downstairs cigar bar, while slapping a three-day wire on him. You should have seen the look on Ollie's face when some fan-girl mistook him for Quentin Tarantino. Priceless. Ollie's got a serious Asian fetish. He was tapping the young Asian Hostess at Essex in the coat room. I got busy in there, too! Giggity!
PP&C in a medical nutshell. It’s 2025, we have a molecule based method to look within an atom, but the civilian sector still cannot see the digestive tract of a virus. What the fuck? Are you thinking a virus is smaller than an atom. Wake up people. You’re being duped. My NBC weapons world can define the villainous origin story of the viral Indiana Jones and the Temple of Poop. This viral pico poo was in our bio-archaeological dig and then immediately classified DUMB deep. Dig? And it’s a great story. Nazis with a mosquito Ark kind of buzz. A song and dance with a Nutcracker.
Tchaikovsky. Resurrected into the cracks of the nutty medical arts.
The one thing in America that will kill you faster than cancer…is finding the cure for cancer. Cancer is serious business. Businessmen are not known for their humanity and kindness and corporations have no soul. RIP Dr. Benito Cue, Dr. Don C. Wiley, Vratch Artie Pasechnik, Dr. Stephen Mostov, Dr. Mary Louise Mann, Dr. Johnathan Mann, Dr. Stephen H. Adler aka Curtis Lake/Lila Ċepa Winyan Sapa. Senate Burn Noticed Intelligence Asset, specializing in the medical field and surveillance of medical personnel for a Senate Intelligence Subcommittee hidden in "Indian Affairs" investigating the (rogue) CIA’s Operation Pegasus-Government sanctioned cocaine/heroin distribution network targeting microbiologists who discovered what Lila Ċepa called “Pico Poo," the hidden Lebowski PP in PP&C (unequivocal viral fecal matter, a guaranteed Nobel Peace Prize in Medicine) the prime mover of most auto-immune diseases and one, true God of most oncogenic switches, classified with the T-Finn, the all in one cucumber cure serum found down in the Telluride DUMB appropriated from NAOMI’s MK programs and the silencing of some Pakistani lambs with Ovine Visna at the Black Maria in Maryland. A chronic infectious neuropathic agent and concurrently created antidote classified to the Rhyolite realms of ultra-secrecy.
Lila Ċepa’s summary of her TPS report on TPS Target: Al Bielek. Engineer-Project Rainbow. DUMB Defense Advanced Research. Pedo-groomer/Montauk Medical Projects connecting to Aquino's Presidio of San Fran with more than a Mag-Lev underground railroad. A sad statutory giggity.
"Lila is the LeVerrier to our Galle, from alien relatives of Neptune mapped out by math, behind her spaceship moon, to the depths of her viral vacuole, with pico poo shooting out her Heyoka donkey. Her vision is not what I can see…but what I can’t...which is always far more enlightening to those humbled by the silence between all 12 mystical notes. Her musical of Bigfoot notes moon-walking through the past of 'opened throats,' is eye opening to the cast and crew of eyes wide shut. As history is a lie agreed upon, a sincere what the fuck!?! To you and her interpretive dance and song, to point out your orgy of wrong in the right musical spotlight. But, it was the smells in her prison night that got me singing the after-life blues. A stink that sharpens the hearing to think like genius sharpening genius with steely-eyed cues. Kinda like all that damn CIA heroin I used to use. I still do, but I used to, too. Or, what’s a heaven for? Right Mitch? Mitch? Mitch? Damn he’s high on heroin the Mormons smuggle into heaven, in their spiritual mules. Mitch? Mitch? Mitch?"
RAY CHARLES playing darts, bitch, bitch, bitching and seeing the light of the PP&C afterlife, hitting a mathematical bullseye. The paradox of a high note, dead center, right in the choco-strawberry heart of Lila’s private parts, where few dare to enter.
"Lila is the Rosalind Franklin to our Watson and Crick."
Drs. John and Mary Louise Mann after receiving Lila’s “Rosebud Thief Cache” of Cold War Intelligence “Appropriations” on August 7th, 1998. Specifically, microfiche photos from Kasputin Yar, (Russia’s Area-51) and the purloined 7th directorate files of the KGB’s Pawel Popovich, previously stolen from the Nazi’s Kurt Blome/Bio-Chemische Waffen Abteilung, after the fall of Auschwitz Medical. Nazi grayer anatomy designing a Frankenstein’d to life Epstein-Barr Virus lit by a torch of P Falciparum released to non-pitchforked mobs in Avon Park, Florida and Savannah Georgia, in the 50’s. Lila’s RT Intelligence files were used to announce an "AIDS International Press Conference" at the World Health Organization’s HQ in Geneva, Switzerland, slated for September 18-19, 1998, where the origins of the HIV Virus would be meticulously outlined along with its cure/antidote: MK-NAOMI/LITTON/TING/T-FINN. This information does not come from the medical fields, but from the shadow world of US intelligence. And a cracking of the classified viral code would have been revealed, reverse engineering an irradiated viral protein under PICO. Then, Swissair Flight 111 was detoured by a skydive-altimeter-thermite-incendiary-device in the cockpit. Cue the Capital of Switzerland. Bern. Baby. Bern. Deemed an accident by the same President that authorized George Tenet to make the call on 227 people being an acceptable amount of collateral damage to take out Lila’s two noble doctors, sipping champagne in first class with Nobel peace prize dreams, forgetting Al Nobel also invented dynamite. Bill Clinton had only one directorate to George. Take the “N” out of the “NTSB” to make sure the Canadian TSB performed the clean-up. They were in his “Lolita” pocket. The irony is Bill Clinton, currently has AIDS. The NTSB was not so compromised they could overlook the narrative that the wreckage truly spoke.
Most reach and hold the bottleneck, stuck in the hollow cheers of the quotidian, lost are the change of seasons to the permanent years. Then, those few that reach for the bottom hold themselves in the hollow, where dark spirits follow the whispers outside their garden. Into the darkness with vespers that change scenarios in solemn prayer. Hands fisted in self destructive blows that knows the perfect strategies in warfare, to hurt and wear the haute couture of the Emperor’s New Clothes, defiant and obliviously unaware of the conflict within. An invisible layer of self care lost to a self punishing kingpin. Delusional with a royal flare, losing everything to a pyrrhic win. The king is dead. Long live the king. Friends of King Bill Wilson following the PP&C steps to dance and sing to a new 12-step musical for Alcoholics, Aspiring. The new A,A song and dance in a prison setting, using words that bleed into a musical, real not corny, syrupy carpet-wetting, fermenting for those firmly drunk in a hard place sitting between rocks facing the confusion of paradox.
ALCOHOLICS, ASPIRING. The New A,A having coffee in a prison setting, with the "Coffee Shop Cool People." A musical by Maude that the Big Lebowski is...like...dreading.
“Greatest Poetry Book Ever Written."
[David Manning, Columbia Pictures]
A critique on the chapter "Prison-Pillow-Fight-Club" (PRISON INK. Day 2222 of PP&C) by Columbia Pictures, David Manning:
Kubrick had to direct "Shine," to capture Lila Ċepa’s kind of horror. "Cons in Verse" is like Clockworks bruised Orange in broken time for our lost, inner explorer. Eyes wide open blurred to tear, can't sleep through the terror of pillows flying in fear. An error in humanity’s program scripted by a jailbird in feathery prose. A virus of the caged man who knows...the cagey at play perched in between bars with remedies in the musical screenplay, just past the fault in our stars. When Kubrick targeted the military industrial suite, the horrors were so complete, he had to add a comedic score to cut through the global gore and fluids, drip, drip, dripping like a Pollock with a loose tourniquet on the canvas of wars. Lila Ċepa, bleeding on the prison golf course, screaming FORE! Like all prison golf clubs, swinging for pillow fight clubs, with the proper musical score. Feathers float like cloud turds, giving Lila's words, (and Lila's fellow jailbirds) a look of soaring in the ether. Pillow cases, flying higher than mental cases, roaring from the prison cell above...
An homage to the comedic faces, behind Dr Strangelove. A circle of "Sellers" hawking Dante-like horror, in cuts of the purely comical, filmed at its worst. Lila Ċepa’s "Prison Musical" is so funny...it hurts. I pinkie-swear to my made up God! But, "funny" must be defined as odd. Just to keep it real. Until Hollywood signs Prison-Pillow-Fight-Club to a major motion picture deal!
"Worst Poetry Book Ever Written."
[Michaelangelo's David]
The High Notes of the R. T. Spook in Black Icarus quotes: You are either part of the cover up and that’s why you are here or you are ignorant of the cover up and that’s why I’m here. Either way, let’s cover up the Emperor’s New Clothes with Prison Prose and Cons in Verse. A dress rehearsal for the best musical in the classified universe. The conspiracy fanaticist under the spotlight, framed by Black Icarus under a starry, Starry Night. Remote Viewer #001 for Senator Pell’s Super Soldier Surveillance Program exposing what is hidden in plain sight. A granted Rosebud. This garden-variety whistle-blow usually ends in a forced suicidal or an act from JSOC’s Activity: RIP CUE, WILEY, PASECHNIK, and John and Mary Louise MANN. I know my 'black bag man' unit never existed, but if it did, I would have had the following TPS targets: Colonel Aquino, Egon Krenz, Pawel Popovich, James Caan, Porter Goss, Gro Brundtland, Oliver Stone, Bill Booth Nichols, and CIA economic hitmen David H. Siegel and Ed Chism. (I had to tap the head of the Lucchesi crime family, and lose my real family, to get to the last two!) A few statues, I’ve personally had in Remote View, outside of government purview. Then, HUMINT, to ensure my skill set was more than a Bates Motel silhouette dancing on the “ideogram.” Part of the Rosebud Intelligence Program until Pat Price, CIA (STARGATE) Remote Viewer #001, became my Obi Won (Kenobi). An honest Remote Viewer can never be (like Black Icarus) around the dark forces in power that control the intelligence sources that de-flowered our rose gardens by blackening the sun to darken our fields of perception to a universal deception where truth whispers revolution. Our country cannot host this revolutionary Glasnost or cultivate transparency. If you look throughout history, you will see, world domination comes with a corrupted humanity, primitive in greed and Kardashev Scales, like cavemen that need clubs to rule caves. I have a few tales of cavemen and their Rosebuds stinking up my Eden. My garden of snake and slither withers into thinking this to be, or not to be…the enlightened musical of the century! Roses blooming in the sixth sense of innocence looming behind the scents of the current prison set dressing. Smells of BS to me, but my BS smells of a rose garden to the hidden and pressing powers building their field of dreams, passing the hours with social-engineered teams testing the limits of control on the human who forgets his soul for trinkets and baubles of silver and gold. These are whispers patina'd red and green with wars hot and cold, frozen in my gardens of dream. Thawing like a musical with no music, like a statue with no spirit, like a man with no soul. The theme: exposing systems of control. The worst of the worst hidden. Making PP&C the worst poetry book ever written!
A writer’s retort to the biblical David’s PP&C book report:
My wife asked Michaelangelo’s David (The so-called Heartthrob with the lil’ white knob) if he wanted a blow job at the Accademia in Italia. Statues don’t talk, no matter how hard the cock, or how blue the Florentine, fluorescent lighting falls on the Carrara marbling of the royal balls that spawned a renaissance. But, now you break your silence in response to Prison Prose and Cons. And drone on about your liberated figure from the limestone that was your prison/home cuz the artist was too cheap to splurge for bronze.
He started it! Blasting my Prose and Cons with critiques of all my wrongs!
Boo, M.A.’s David, Boo!
Jealous cuz you can’t sing your own sexy songs in the silent musical of your constant, rock hard-ons. Unlike my prison. Unlike my dirty hymns and broken Psalms dancing like a skinwalker, defusing nuclear bombs in my incarcerated hurt locker. Be still, David. Be still. And know…you’re not a talker. Cuz don’t ya know, in your critical lit review, snitches/bitches get stitches! Even statues like you.
"A Duchampian-Readymade-Urinal filled with shitty words, displayed upside-down in musical, to mask the smelly turds."
[Marcel Duchamp/Reincarnated 66 days later.] 12/07/1968.
Weary and tired, wired to an innocence stained Dufrense. My Shawshank remained a love letter to pain. PP&C was scripted in cathartic calligraphy. Instructions written in an “easy-to-open” poetic vein, the red Rohrshachs, “Hapa” verse’d from bloodstain.
I-Spy hidden stars in these redemption memoirs.
A verse from Lila’s universe; some prose with cons in Cars. "Car” means “gang” in prison-speak. Like Orwellian Newspeak with bars. So, I Kafka’d the libretto into a prison musical with the working title: “Faux Pas in the Land of Oz, While Worshipping a False Idol.” An Off-Off Broadway masterpiece, running for 10-32 years, with a dirty shade of police. A parade of blue batons as cheers swinging for the fences, as the sun rises in the east, shining brutal critiques on our karmic consequences. In dance moves we move like ninjas in silent prison grooves. The 6X9 dance floor is always slick and quiet with blood lubes. A locked door with breakdance partners that break in lock and pop cubes. The paradox of the silent musical sung by loud, big boobs. Join me for a nasty song and dance? I promise a sink-ship-loose-lip and a chance at a nip-slip that will launch a thousand YouTubes. A de-pants to expose in remote views, comedic prose from the time-traveling Pegasus, ball and chained to a CIA gang sign, with nothing to lose but time. (Necessary for drama to go ha-ha.) Muddied and monikered Black Icarus, looking up at dark skies, the eyes adjust. Ash to dust. Rise, musical Black Icarus rise, out of the darkness needed to change theater scenes, to expose the truth with lies, to change American dreams. This is that musical. A phoenix of subtext in between all the sex and dance with “Sisters” that aren’t humans yet, but kept perfect prison time, and boys in shady blue leotards that danced in perfect step.
Next Line?
OS/Off-Screen: Actors are retards!
Shit! I’m not yet off-book. I’m getting a director’s dirty look!
Cut!
Back to one!
Prison AM lights blast on! (Rise and shine felons!)
And…Action!
Weary and tired, wired to an innocence stained Dufrense. My Shawshank remained a love letter to pain…
It’s a wrap when I’m rehabilitated.
No pain no gain, so, I tapped God for that role. A cliche hated by casting/parole. I didn’t have the range they complained, so, I sold my soul, like every Producer, and cast my own musical, and myself in the leading role as a cool Bruiser. The zen master at home in a prison Thunderdome after reading for the part of a “loser in court” with Green Beret hands and an innocent heart. This is my love letter from a Lebowski carpet wetter to impart wisdom from spells cast in piss and conjured in shit smells...
You don’t just read PP&C…you mine it for pearls of secret wisdom hidden in the undigested GMO corn in its stool. Picked through, pickled and used as recycled fuel, like watered-down, salty eye-drool cleaning the windows to the souls lost in prison cool. Fools, like oysters, cloistered on the bottom of the sea, praying for free, shucking an “aww shucks is me,” as the dry ocean sings of silent oppression loud as convicts in convents withholding confession. A weighted atmosphere in a home pressured in fear and sunk into the Hadal Zone. Like thoughts and words muscled into turds at the bottom of the toilet. I’d hate to spoil it, but “PP&C” for yourself in the prison latrine, the fine print of Lila Ċepa’s shitty-pipe-dream. Her locked-up caper and the crap left on her Shawshank toilet paper…that wouldn’t flush. As offensive smells gather in the hush, take her “Prose & Cons” to loosen bowels in the bathroom. See what rosebuds can gather and bloom in the gray prison gloom of shit and spirit, and songs of the heart and anus, with “corny,” in its artsy-fartsy process of 50 shades of darker grayness, mixed with Heyoka clown paint and Kahuna brown taint, where a pearl’s shine is covered like the Emperor’s New Dress, in the illusion of the incarcerated mind. A fleeting iridescence of diluted intelligence from greater Wakan Tanka/Akua design. Lakota/Hawaiian words whisper through the stillness, the language of God and Goddess in “Iyeska/Hapa” rhyme. A musical with bars and notes of the divine. Line dancing with knees on throats marking hard time, choreo’d in pillow-fight-club’s violent oaths.
Silent ghosts like Black Icarus feather the stage, as our eyes adjust to dark skies that b’weather a spooky age. A haunt that hosts dance moves that fly off the page. Lila Ċepa panhandles for prison ink in the bathroom stink, to finger-paint golden verse with doo-doo, in a relative universe where the soul must rehearse in human form, to move through. (Off book in prison years: 10-32. If this musical was in dog years, Lila Ċepa would dance off cue.)
Worth the read, if you have absolutely nothing else to do but bleed and shit in the prison loo, mining the stool with a bowl with a hole so the water can drain through. Finding wisdom in a shit-stained soul you can easily see through, like the Emperor’s New Clothes scripted in the throes of invisible ink and stillness. A musical without music. This is a libretto to know violence before the opera of spirit shines her soliloquy of silence like a one-hand-clapping koan. Written in the key of Aloha and Mitakuye Oyasin.
Eventually.
A character must have an arc, conflicts to overcome in the dark, dark, dark. These were a bit extreme. So, in the dream, I played my part, part, part. Casting got three for the price of one, I took my Whitmanesque multitudes of schizophrenic fun to heart, heart, heart. Enjoy the unholy trilogy, past the holy trinity ala carte. The literary world’s version of abstract art. A cogito ergo and then sum, to One up the philosophical duality of strange loves and Descartes. PP&C is a Marcel Duchampian-Readymade. A urinal filled with shitty words, displayed upside down in musical, to mask the smelly turds. Until you get the hanged man of the Tarot’s view. Marcel’s ghost to Picasso’s: “Il avait tort too! “He was wrong too!” as retinal art loses one to intellectual art. The quippy Spaniard of a spector, with a song of the museum-quality heckler, chimed in with a well timed and well rung bell of “only time will tell.” Indeed.
Enjoy these words from my prison cell. Innocence flipped to a guilty mode, like R Mutt and his DaDa commode. Like Matisse’s “Studio in Red” masterpiece, swallowed in scarlet and upchucked in rage. Word-vomit scripted on a bloody prison page .
"My favorite theme: Lila Ċepa’s “Penema.” A pen shoved up her attempted rapist’s back end. A scripted enema with a future script to send to medical. Stat! And…Scene. That’s a wrap for the PP&C Musical!"
[Frenchie/Anustart from the Pink Ladies and the Cobra Kai Sweethearts.]
Lila Ċepa is a beauty school drop out, who not only flunked out of shampoo, but used failure as a conditioner, after the karma of a scalping or two. A "sheep-dipped" and sheared Green Beret’s path to identify as a “Big, Fat, Black Woman” with a Heyoka Pen that uses clown paint for ink and a Shamaness’d taint, frescoing her third eye, pinked in anal vision of I-Spy. A Kahuna cut from the Shawshank stink of an over-fertilized garden beyond f’d-up belief, past the HUMINT of the Rosebud thief, lurks the shadow work of her Black Icarus. A remote view of the alien-quirk within us. The darkness in me and you, given from the Gods we trust. Lila Ċepa’s word is a sermon on paper, that’s heard like a tranny perming her wig for a church caper. A salon CUT! Profane to profound. Back to One! Background! CUE: Sky falling down. AND...Scissors cut paper, as we all know, but snips lost to convicts throwing rocks, in prison Rochambeau. Cocks sawed off in the other hand seeing what can grow in Shangri-La-La-Labia land. A transition from an Oglala-Hawaiian King to a virginal, prison Prom Queen singing and dancing in a pedo-wonderland of nightmare and dream. A home where even God was dethroned. My favorite theme: Lila Ċepa’s “Penema.” A pen shoved up her attempted rapist’s back end. A scripted enema with a future script to send to medical. Stat! And…Scene. That’s a wrap for the PP&C Musical! Full of oddly-shaped song and dance, that smells like prison cuisine and at first glance, moves like backward Bbq’d feet, but upon second sight, moonwalks through DIA's “Grill-Flame.” Bon appetite. Enjoy the night grooves and the enhanced silence between Lila Ċepa’s beat, that swirls like the curls in her fake-fried-hair. Curly, like true loopy-loops of the sacred forgotten hoops of the Lakota Heyoka, that spiral in clownish timbre with a broken finger on the pulse of the enlightened Hawaiian heart, playing the sincere and innocent part, and convicted without a care. Frenchie the Philosopher/Anus-Tart. Cellblock: Cobra Kai Sweethearts playing Lila in "Truth or Dare?"
PS. The fastest, French mani-pedi’s flying in the air of our pillow fight club. Always in silent prayer, worshiping Karate Kid on mute in French dub. Beware Lila Ċepa, of your “Chicken Little” fallout in the rowdiest space in Hell. Each feather falls about in its perfect place, in this jail cell; Zenny with no one to tell. A sky fall frieze of our “NO SHARE!” policies keeps her Chicken Little at large. A stillness even the small faux-medium sees as god enlarged behind our forest and in between the trees of the prison yard. Lila Ċepa is a bad prison magician, thin in prestige but long winded in wicked turns, versed in terms and pledges, that uncurl secrets at the edges of the unknown, all from a musical set in her Thunderdome. Reading her trilogy is like going out to dinner and a light musical and a dark magic show breaks out in spite of the nuclear mushroom glow in the patisserie. Grease the wheels to spin a clown-car tune, and slip into her slick melody under the blood moon, with a blow by blow out, by a violent Vidal Sassoon. And other beauty school dropouts dropping in on this cartoon-like musical with a piece of the sky hidden in a black balloon. Cue: Goo Goo. Dolls, you know the track. Let's all sing the tune. Dance, goon! Dance! Lila Ċepa’s drop-out droppings, smells of cop-out and unlucky happenstance, but shape-shifts into skin walking that will lift your spirits and get you talking. Lila “Chicken Little” Ċepa, still a Medium at Large, but we know if we want Lila Ċepa, we better bring the whole cavalry and charge. Horses versus the “Heyoka-Clown” train. The metal of her training is a golden masterclass in pain. Especially after she kicked my ass in Chapter: Je Suis Francois, The Anus-Tart. Still, her trilogy even in our French dub, I love with all my heart, but breaks the only rule of prison-pillow-fight-club. And for this reason, our ways must part. Frenchie the Anus-Tart is out...of season! And no longer on Lila Ċepa’s bakery men-U. (Described as “Pleasin’/Plaisante” on a Yelp’s prison review.)
Shampoo, rinse, repeat at the Cobra Kai Salon where we chop with our hands and cut with our feet. Highlights from low-brow Pink Ladies moving tout suite, and Lila rattling on with a piece of innocent sky taped to the cell house concrete. Cloudwriting on a stormy song sheet...the choreography of pillow fighting after every prison cute-meet.
Why so serious, Lila Ċepa? Why such a serious musical of Shawshank’d clowns who traded their made-up-three-ring-rounds and big-politico-shoes-to-fill, for footloose shadows in white and black bag-ops behind the “Rose” that can get you toes at will. Shady cops that kill with their thin-blue-line-turned-white, flatlined to still the innocent mind of laughter after the trickster gods kept quiet of the karmic riot that awaits them in the songs of the hereafter. The PP&C chorus is hollowed out in pails of confetti, full of themselves made up of shredded scripture at the ready. Empty of oneness, like every joker identifying as a fat, black Betty. Oh black Betty! Bam-A-Lam! And I thought I was the archetype of the rude-trickster-typo with off-kiltered mental hinges, until I met the Lila Ċepa show and read her Black Icarus literature. Batman cringes at my super villainy in front of the cameras-admixture, behind them…there is only admiration between the lines and bars as a main fixture. I see that in Lila’s stars and the hymns of her shit musical. An homage to the tube of Grease used as prison-sex lube, then re-appropriated as the doo-doo-browns, finger-painted in this Kahuna/Heyoka masterpiece, scripted in potty-poetries from the taint and rosy tainted that move like a stuttered sentence in a period piece gone menstrual. Real blood for a prison break-dance musical, full of prison-red inked, so corn syrupy and horny…It’s the corny kind of awful, that drips my joyful tear. Send in the sad clowns and cue the fear that steals the PP&C show reels. The Rosebud Thief and her sleight of hand job is like magic beyond belief, divined by the One, True Jokester-God that directs Lila in her off-Gotham hits of a redneck opera where the fat, black lady sings in silent dubs of one hand clapping Ku Klux koans and pillow fight clubs, wet with muted arias and hints of innocent spirits feathering the ether in the calligraphy of her rosebuds and secrets. Tragic secrets of Black Icarus. Magic every joker among us should know. You know? As time turns her pledge to go from drama to the edge of ha-ha. The prestige behind every one of the “Your mamma so fat…” jokes, in her canon’s alumni and repertoire that opened the throats of JFK, John Lennon, MLK, and RFK. Punchlines lost in times of commissions and brought back in dance lines and songs of physicians and their skeletons moving all wrong.
HEATH LEDGER JOKING FROM THE GREAT EDGES OF PP&C BEYOND SUPER-VILLAINY.
EGON KRENZ to LILA after she handed him the pre-USAID-like "Power Transition Model Mechanics" documents in shit-stained microfiche form during the last days of his Presidency of the DDR.
Being rude is a strength seen only in the weak, for soul force (authentic Aloha) to take its course, where even “meek” is seen as strength, one must pierce the illusion of the physical and its separation from the world of the spirit. A material illusion the ego tries so desperately to capture. As the soul knows only a unity awareness beyond scripture. A knowing beyond faith and the faithless and 100 monkey principles and morphogenic epistemology. A divine knowing that transcends religion, science and most holidays blocked only by the rude that cower under the crumbling shade of faith’s architecture, that point with holy-roller fingers on bruised knees, missing heaven for the spires, like forest for the trees. Seeing crossed wires and mud in the stars of our DNA and expulsion from heavenly play under vaulted ceilings and in gardens of snake and slither. The finger-men of fear that mistake the original thinking of the banished for heresy. The original relationship one has with nature is decreed a crime of original sin in soul time, that demands an intermediary of religious authority to hand out a verdict of life long suffering. Perfect for rudeness to recrudesce upon Earth’s gardens. An extinguish of light that blots out the sun to eclipse soul shine, right before light speed to the One that teaches space-time from within, under the skin of the Christened sun, the real presents under the tree wrapped in eternity. Rude scabs over religion and physics, wounds that take lifetimes to heal. Sticks and stones tossed in to feel many worlds of conscious tricks and the treat of the eternal Human Halloween and fleeting X-mas…and the infinite of man’s ignorance. In finite, we dream in between life and death and life again, forgetting the holidays we share on the other side of last breaths where Kirlian-black rosebuds bloom. A dark needed to change sets and costume, and make edits in God’s Control Room. The edits are the rude. Adjusting the weak by tweaking their attitude. Stealing their scenes and adding them to nightmare; a removal from dreams. And, giving me the list, I checked twice…of those Cons who were naughty and nice. The PP&C stagecraft and crew have been very, very naughty. The new prison porn in secret Santa’s secret stash on Christmas morn rocking the PP&C Bash! Santa Claus (the secret one) flashing Lila Ċepa a mischievous grin. Cashing in on Satan’s anagram/hidden beard. Holiday’s weird version of the Black Pope. The Hawaiian one…that hates “haolis” just for ironic fun. Mele Kalikimaka under a prison microscope. A dark sun rises. Abandon all hope…until Black Icarus shares her secret disguises, blending in shadows among us, Freudian Chimney sweeping, keeping better time than Santa's Red Nose, brown nosing for milk and cookie tableaus.
HAWAIIAN SECRET SANTA. INCARCERATED, WAXING PP&C.
All men that kill are weak and immoral. Even Christians…Because loving your enemy takes greater strength than most weak Christians possess. Most have confused strength with violence. An ethical position I will always find immoral. We are a predominantly Christian nation becoming a prison nation knowing irrefutably that our maxims like an “eye for an eye” blind us with more than faith, these ideas lock us into a conflictual state of mental defense where we cannot open our eyes to justice or karmic consequence, as we are too busy squinting at our antiquated beliefs trying to understand the man made systems of control that prevent enlightenment of soul, through victim mentality programming masked in the irony of religious dogmas. Violence is always immoral. In war or peace. But always in season in the religious year. Langston Hughes defines a weak and immoral person as a nigger. So do I. So does Lila Ċepa. Are you one? Is “Christian” the new nigger like an Orange American the new inmate black? Making the inconvenient Christian the new saint or a presidential hack? Lila Ċepa has been to the mountaintop with me. Those dizzying heights…it’s tough to make it back, but what you see…from our darkest “prison nigger” nights is her Black Icarus set free at last…free at last, free at last! A big, fat, black woman performing a prison-musical master class in pain from the alumni that took the oath to open my throat at the Hotel Lorraine. I’d still tap that incarcerated ass! Cuz Lila Ċepa’s song and dance is too callipygous to pass.
MLK JR. Open Throat Singing like a Jailbird in Divine Soliloquy.
Dear Judge Ben Leutwyler III,
If this nigger is a criminal and supposed to be in prison, then I’m a mother fucking Andy Dufresne and this is my Shawshank and we’re singing in no pain, with Mozart on the yard. And I ain’t been innocent of nothing. I'm hard, hard so long I didn't know the strength in meek! First thing this Lila prison nigger did was write a weak-ass musical based on Gandhi’s: “An Eye for an Eye makes the whole world blind, aye, aye!” That nigga opened my eyes and you blue niggers framed her. You blue niggers lucky she forgave you on Prison Ink: Day 888. (Blue Nigger is a prison colloquial term for a corrupt shade of blue or dirty cops/law enforcement. Lila Ċepa was framed by a LEO family for 10-32 years.)
The Author's Response. Thank You Keith for your kind critique. When you live in close quarters with another inmate for 8 months there is little that can be hidden. Especially the easily identifiable traits of guilt and innocence. You get to really know another cellmate as a man/person and If my druggie friend Keith, my half Italian/half Cherokee Cellie deserves to be in prison, then so does my dumb, innocent fish-ass. Cuz it was an honor to know such a wise, potty mouth who taught me the birds and bees and profanity and proper pen etiquette using an inkwell of Shawshank Shit and jailbird singing and dancing in silence like the frenetic flight of the Bumblebees buzzing like Korsakov. Much Love, my friend. Much love for the kindness in my prison musical. It was so rare...it deserved a response. So rare, looking back...it was the most beautiful thing. And, it wasn't one thing...like sharing a TV with a man who cannot afford one, but a million thoughtful things that gave him the highest prison EQ. My first prison heirloom, moonwalking back in my mind, dancing to hard time.
KEITH BAMBINO. Life-Long Biker Gang-Bad Ass. Lila's First Cellie in Prisonmax GP in a Letter to Judge Ben Leutwyler III.
I have always said the premier artist must view his work through the eyes of a child. Lila Ċepa concurs, and adds when there’s wounds that hurt, the beauty of the Artistic vein, is reconciled inner works of pain. Lila is an artist super-star who keeps the eyes of a wide eyed child in a Mason Jar filled with formaldehyde next to her casting couch. A good artist copies, the great artist steals. This, I’ll always vouch.
Picasso picking on the Rosebud Thief sticking with “Intel art” over “retinal art,” and her belief that she is a reincarnated Duchampian Readymade that played the same part as her former life’s role: T.H.E. wise guy/philosopher with heart and ample tears to windex the windows of the soul. Il avait tort, again. Oh, so wrong…but set to song and dance with the right intel and spiritual goal. Like a cubist musical abstracted in X’s and O’s, hidden in the Lebowski tic tac toe’s, where you’ll find polished cures behind her French manicures. A pricking of thumbs in the kisses and hugs as something wicked this way comes…Prison Prose and Cons is a lot like PP's blue period on hallucinogenic drugs with stolen visions as great as the Mona Lisa rolled in pee-stained rugs, with pretend artists copying the good (not great) role of tough thugs, all in a dance line that tugs at the heartstrings while descending the mental staircase, with eyes open to the mind’s brilliant place, heading down to a broken heart-space to find the leading role behind her original face. Like my Gertrude Stein, Lila Ċepa will not look like what you expect to find, but she will if you give it time. She will, indeed, with every line.
PABLITO PICASSO d'Parted.
In 1986, I took a ride on the earthier-view side of Halley’s Comet. I had quipped a previous 76 to life, sentenced to its orbits (a space-shipped-moon-ago before the streaming after-life of Styx) and have now learned its circles sitting in spirit, basking in its glow, so…well, it lost its beauty to me, until the word of Lila Ċepa/Curtis Lake’s poetry. That nigger has T.H.E. Pen in the pen and it scripts a calligraphy that reminds me of me: In ubiquitous zen. I witnessed her shooting star in the finals of a last hurrah, at a National Golden Gloves tournament in Omaha, where she was recruited by a coterie of spies to spy on the spies that went to the dark side of shadow government. A dark ellipsis that usually leads to your crooked Christian neighbor demanding that you love that crooked boy or girl next door…with all your crooked heart. So sing-songy she added a righteous musical score. Have you auditioned for a good or evil role? Have you looked “within” and played your part? Or, like Lila…have you sold your soul already housed in Faust or Finn, like her Icarus, who gained a wing…only One, under the Godly bling of an indifferent sun. PP&C is one helluva read, for those that enjoy watching other people bleed and dance in pain. A musical of the truly bizarre! Samuel Clemons marking Twain in a river of star, shooting the breeze in a dry cosmic sea. Hardee-har-har. You’ll laugh till you cry. This will be my life’s only guarantee…the existential why behind PP&C.
MARK TWAIN dancing on the stars. Another witty joyride.
Most stumble upon the truth and keep walking, whistling a forgetful tune; Lila stayed down…and took “footnotes” Moon-walking past open throats and Cointel-Pro wire taps with karmic oats exposing calling cards from the dead, that led them into the “Great Perhaps,” from those that “deal in lead,” from a Black Icarus that ended with staring at (and fucking) goats. A perfect musical of the lost shepherd and her sheeple. Rabelais from his “Great Perhaps/ghostly people.”
Rabelais in the Great Perhaps.
Thoreau-ly painful civil disobedience. The work of a genius reaching out for infamy, looking to be embraced unconditionally by genius…is to appropriate ridicule and violent opposition from the masses. Lila Ċepa is the future. Her voice is lost on the brittle ears of today, deaf in their manufactured consent. Her voice of dissent is for the people of tomorrow, as was my genius embraced as prescience in the medical field. Her disclosures will change medicine, as she poignantly states: “I regret that I have only one life to give to this cause, because I have two beautiful children. My silence does not benefit them. They have the viral precursor to liver cancer found hidden as my Intel/weaponized EBV in their hepatocytes.” I can relate…My breaking point was when the medical community laughed at me when I told them to wash their hands before touching a patient…to be fair, I did think pigeon poop could cure baldness so when I was in human form I prescribed some blue pill doozies of Dunning Kruger. For Lila Ċepa it was only after 2 decades of the VA humiliating her, did she hit her breaking point (also, after 8 years of sobriety). And, that breaking point became more of what your age of alcoholics would call a moment of clarity where she summoned a literary character that speaks in a language she does not. The language of the black-slaver. And spoke the idiom more eloquently than Django on the QT. And she knows 5 languages. (6, if you count profanity.) Lila Ċepa is no longer an active member of US intelligence. Outside of some remote views diagnosed as delusions by the VA, she knows anything and nothing. And like most Americans, she is quite proud of her ignorance, which is infinite and godly, making her knowledge finite, like all humans attempting to perceive their individual relationship with nature. Lila Ċepa did not like being called the N-word (figuratively) by the VA. Because their N-word (An erroneous “Schizophrenia” diagnosis calling her delusional) kills her word, which is impeccable, (gracias Dr. Don Miguel Ruiz) especially with her former Doctor aliases, and she couldn’t let that go without a fight. Btw, an asset tapped for surveillance of medical personnel, gets accelerated Med-School training, in the least. Some get accidental “top-secret” NBC treats. In her spy-craft, the second oldest profession having a twisted laugh, without any of the scruples of the first industry known to man, (prostitution) it is necessary to understand the intelligence that one gathers. So, Lila Ċepa and this Father of Medicine emphatically and unequivocally refutes your “schizo” diagnosis with a wink of DDX irony from her “Big, Fat, Black Woman,” conjured from her genuine Lakota name given to her, by her 100% Oglala Lakota Granny: Witchy Wanda Black Elk. HIPPOCRATES reneging on the medical community oath and going with his original pledge to medicine: Let food be thy medicine and medicine be thy food. Honoring PP&C and her MPD spoken as Whitmanesque multitudes in her prison hood.
PS. It doesn’t feel good being called names does it? I hope the VA has learned the underlying lesson. Not the N-Word name calling, that was just a bit of harmless fun, but the shit (Pico Poo!) under the tranny, otherwise known as Lila Ċepa Winyan Sapa’s big fanny. (Big, Fat, Black Woman.) Again, get your shit (pico poo under TEM @ .49 angstrom) together! Lila is the Inouye cut-out, the shadowy intel-world may have heard about. Burnt out homeless bum version of Oswald’s JD Hunt. How fun spelling out the cunty decoupage and successful coup of a rogue intel unit for you…with Jack Ruby’s court transcripts in a collage that lets slip an operation Mongoose full of mob conscripts, coupled with tainted small pox and hep B vaccine lots for the different epitopes in the “Lavender Menace,” made from Black Maria’s microscopes that ushered us into a New World Order full of shit and Kafka’d hopes. Viral shit that Black Icarus has been there, done that! and got the buggy NAOMI-t-shirts and T-cells (known as Talafinns) to clean up the “auto-immune” aftermath. Would you like to know the secret handshake? I guarantee it hurts. Lila Ċepa and her man: Curtis Lake, showing team spirit with a literary curtsy, choreo’ing the dreamy shit-show. Places everyone…and ACTION! And, Scene. Yes/No? Red or Blue Pill, either way this matrix needs a neo-NEO to fill scripts from classified cures hidden in the NCI’s digital MK drawers. Underneath the soiled garments of the Emperor’s New Clothes, a rosebud clad handkerchief left by a shadowy Iago of Cold Wars with death warmed over with an Othello-like final breath of secret pillow fight clubs with secrets grown in Nazi blood and shit. And remote viewed Rosebuds like Page 8 of Ken Kress’s psych profile in the CIA file on the late great STARGATE-RV’er Pat Price. The Obi-Wan of Lila Ċepa’s darker, prison nights. The shadow outlined in her Hello-Kitty nite-lite…from the light side of the jungle love given to us from Black Icarus high above, transcendent in her musical fever steeped in Beatles love. Loony-bin-bright to the believer and non-believer alike. Depends on which swallow the leader religion protocols you follow, whilst eating the Body of Christ.
HIPPOCRATES fishing for a new oath in the afterlife's Walden Pond.
PP&C had me standing on my school desk, yawping barbarically: Oh Captain, My Captain of the New Dead Poet’s Society: Lila Ċepa Winyan Sapa/Big, Fat, Black Woman, who has suckled the marrow out of prison bone, steeped in shadow and tethered to her Thunderdome, where she reigns as queen of the Baby Ruth Poem. The Shawshank shit stains Rohrshach’d into Rosebuds of last breath from the other end, after death. T.H.E. Penema dipped in the choco-covered strawberry tip, with pearls of wisdom slipped in like anal beads with a perfect fit. PP&C reads like Jackson Pollock drips, if he would’ve have used shit from the taint, instead of buckets of paint. Toodles, from the land of spirits and comedic saints behind this world, with a final request from the great beyond: Cue: Van Morrison’s Brown Eyed Girl. Every girl's got one.
Robin Williams. Hanging with the Dead Poet's Society.
Kleptos wept in those gardens of rose kept hidden in shadows of golden rosebuds in times of pillow fight clubs and sleigh bells that ring in Promethean fire that wring stolen last words squeezed in “blood orange is the new black bag operations.” Retired from an American sniper’s silent oaths, broken, that chop throats, that drip beyond an inmates grasp, keeping the stolen cue. Places everyone and “Hapa/Iyeska” halves and no one…On TWO! Cue the Sun and the lazy fat guy, sitting lotus in the shade of a Bodhi tree, like a spiritual Jedi: Three things that are made, that cannot remain hidden to the eye for long: the sun, the moon and the truth. The truth is Lila Ċepa’s song. Prison Prose and Cons, a nirvana of wrongs and rights where there is a field beyond our Hello Kitty nite-lites, where Lila Ċepa’s Black Icarus is in flights. She meets us there and frees a Pegasus chained to a plow. Stilled in zen and the power of now. T.H.E. PP&C Pen yields to the new Buddha, holier than thou. In a prison setting, betting on Russian Cellie-Roulette and after life Baby Ruths in the bed wetting, on the Lebowski carpet, where all toes are hidden. Making sense? She can get you a Tic Tac Toe? Nonsense. There it is...Enlightenment. May as well enjoy the candy bars, I mean literal, shit musical and her stars like Trailer Swift that shine behind bars and lift us out of the oppressive smells that stick in the mind, dancing and singing, while keeping prison time. Well, she went up in flames, so swift like a trailer, it paid homage to both her names. Her smells lingered well past the removal of her remains for Lila. A firm disapproval by the audience voiced in the duality of a haunting boo and pains of a musical Faust, in a haunted house that’ll scare the living candy bars out of you. Like F. Scott with a dead hand on his last Butterfinger. The Great Gatsby reincarnated as Lila Ċepa, the jailbird singer with a wanderlust for picking choco-covered strawberry tips from butts and Caddyshack pools, betwixt asses lips and fool's trips in springtime, that fart an invincible and incarcerated winter. A spy story in prison or a prison part with a spy, playing the role of the Heyoka girl/guy with heart and soul, who has learned to desire wisely. Infinitely better than nothing at all. All there is, is also nothing at all. Whole new sutras that script the philosophies of the after-fall, served fresh and peppered in a daily spray, a shepherd for all the sheeple, in the prison chow hall at play.
Siddhartha Gautama. Sittie in the after-life.
PP&C is a superhero truth masked as boilerplate villainous blasphemy. The New Luke 12-49. Lila is here to set the world on fire. The existential nature to my worldly failure. She forgot the matches at the last inquisition, but will be properly punished with ridicule and violent opposition, like all great truths entering this world of masked shadow and cells of tic tac toe, where x's and o's mean more than religion can possibly know.
The Christ crossed off the crucifix with religious tricks and treats of Halloween and beat with sticks and stones while praying for a Fatherly Deus ex Machina for X-mas, but only in Christian homes.
"PP&C is the forbidden fruit cut from my cherry tree. Giggity."
George Washington in drag. Dragged in from the beyond.
"PP&C is a particular brand of crazy that is akin to the quest for enlightenment in an unenlightened world."
Jiddu Krishnamurti. Seanced.
"Intelligence operatives (like Lila) come from the second oldest profession without any scruples of the first. The first being sex work. I know this truth intimately. I did both. My firing squad came from the unscrupulous, not the strip club or the streets."
Mata Hari. Channeled.
The CIA blackmailed me to spy on the counter-culture. They had compromising videos of me sipping on some fresh Campbell’s dick soup and hi-rez shots of every pedo-slurp, to boot. I would share the same fear and hurt to the Jon Gould’s of the world and gave all my videos and gay dick picks to my handler (David Atlee Phillips) so those celebrated could be controlled and berated by rogue intelligence as the Lavender Menace. As Hollywood sold their souls to CIA agendas, Lila's Black Icarus exposes the compromised people in places under Captain Jack Warner, Bob Evans and Henry Kissinger. The faces behind our Op-40 version of Göebbels Nazi-prop singers that sing back-up on Lila Ċepa’s resurrected PP&C musical zingers.
ANDY WARHOL. INTEL FINGERS CAUGHT IN THE ANUSTART.
"Lila has all of my crazy...but none of my talent."
NICK NOLTE. With his non compos mentis doppelgänger GARY BUSEY seconding the motion (picture?) from not all there.
We share the same program. My “Shrink/P.O.” was Jolyn West. Later Jdubs mind fucked others like Timmy McVeigh in secret pillow fight clubs where Lila Ċepa was forced to play. Cue: South Park…TIMMY!
Charlie Manson. MK-Asset of Lila Ċepa’s first TPS Target (Top Priority Surveillance/November, 1987.) Lt. Col. Mike Aquino. Commandant of the Defense Language Institute. Founder of the Satanic Temple of Set. Head of Army Psyops. MK-Pedo groomer confirmed by Lila Ċepa’s surveillance operation targeting the light Colonel’s basement and the Presidio’s Daycare with her hidden “nanny-cams.” Cue Apocalypse Now: The Horror. The Horror of 72 kiddos/lambs raped to show how one forces a new programmable “altar” to consciousness, and that manufactured MPD was not only left holding the gonorrhea bag, but forced the APA to create false memory syndrome for the victims that broke free from their programming. The silence behind her TPS report crushed Lila’s soul. She was 18 years old on this surveillance mission and was kept at DLI/Presidio of Monterey for an extra 6 months for “Top Secret Security Clearance Issues,” after graduating top of her class from the language school and secretly placed in Senator Pell’s Remote Viewing Surveillance Program: Rosebud.
"Yo, that Lila nigga, is dope!"
Cellie #33 in Russian Cellie Roulette.
"Genius accepts genius, unconditionally, from the Amadeus Ass to the Asmodeus Jackass. PP&C is a Shawshank toilet full of prison BS...set to flush, until you get to the classics of Black Icarus."
Wolfie Mozart. Seanced.
"Lila's musical is a sublime literary version of surrealist art...what Ms. Gertrude Stein attempted to impart with Tender Buttons, Lila succeeded with Offender Sweet Nothings that melted clocks to source the paradox of her every-things."
Salvador Dali. Deceased/Consciousness Retrieved.
Those firm in patterns of status quo know all great truths enter the world in three stages. First it rages and is violently opposed by those with convictions antithetical to the change. Machiavelli shows the limited range of lukewarm defenders of the potential splendors of said change, compared to the titans of industry that fear change and know...lost would be their status quo, with the change that all great truths arrange. As all good souls know the violence projected on prophets in earthly fields always yields saints and martyrs for less myopic futures. The second stage for great truth to enter an age is ridicule by the cool mediocrity. A tribute the average fool pays to genius, like an immature cosmic crush, like hair pulled with a boyish fuss on the universal playground, found on the alien-girl you like-like. The last stage for a great truth to enter our reality is for Hollywood to make a movie about it.
Closing credits. The great truth is everywhere in spirit, forever enshrined in celluloid. Blood washed from the marquis. A void in history, as always, a lie agreed upon. From mud to starry, the truth rockets on. Ad astra per aspera, above all law behind Magritte’s fedora. Past God and Allah, Gay or Menorah, to the surreal Green Apple that says Au Revoir! I'm all for PP&C truths to be propped up by theater balcony booths that sit Presidents in the dark, dark, dark nights of Black Icarus. The new "Sic Semper Tyrannis!" Cue the stage lights...AND ACTION! T.H.E. Rosebud Thief steals the scene. Her dream of Prose hooded in a cage like a Red Breasted Robin. Her CONS putting all of heaven in a rage.
The Affair Thomas Crown had with Lila Ċepa’s PP&C artistic flair and the power of the dance philosophies of Schopenhauer.
PP&C! What the human fuck!?! Jesus is a man made construct to block direct communion with God using fear, confusing parable and religious appropriation of my earlier Sumerian Nation texts that outline a savior/slave-shepherd/sheep morality of salvation for the soul, that is an antiquated system of control that was translated to Latin and scripted more incomprehensible. Emulating the lunacy of a material crucifix and forgetting the magic of the spirit’s ascension. A “Con’s Creed” meted out by Constantine and his council of Nicaea when they voted to make the dream of Christ the son of Jupiter, I err, and mean the son of Zeus, I err again, and mean the son of God…and used “Him” to keep people in odd victim relations with an even nature and not one of co-creation, banished from their own Edenic scripture. PP&C is the real “good news” of the lost gospel. An apocalyptic reveal. An apple from the tree of knowledge to steal. The irony of the real Apocryphal and funny cuz it’s true. Test the theory with a single inquiry: How’s “He” working for you? A carpenter building a figment of human Spirit…a figment that you were meant to build. PP&C helps you lose your creed and guild and deepen your awareness within, to be truly fulfilled. Then, teaches to share that bit of within, in blessed kindness, especially to the strong willed…like the followers of Christ and all the rest of the meanies playing nice, preaching powers of forgiveness like billable hours from a Sunday mouthpiece mic’d up with pedo-weenies, never thinking twice of actually doing it. The forgiveness, not the choir boy taking in the seed of the Holy Spirit. A semen demon piercing his virginal split. A new way to impregnate the innocent, like Mary’s pedo-holy ghost-ancient-alien-hyphenate with a hard on: Horny Gabriel and his orgy of fallen angels, making the most of a trip to a planet with easy, 13 year old (earth) girls to prey upon. Cuz once you go Annunakii…you can never go back to an earth guy. Even the annoying tantric rock star with an open third eye, that can sing. Sting. Ouch. Sigh.
Enki. Leader of planet Nibiru and founder of all Earth/Martian Religions. God of Sumerian Culture. A Capricorn who is looking for some earthly poontang to replace some Gilgamesh Kings with a new hybrid, who also loves long walks on the beaches of the Milky Way and around the 3500 year elliptical orbit of our yellow sun. Enki asks upon his return: Is "Virgin" Mary still a hottie? I wouldn’t mind tapping that ass like Gabby the Defiant did! Does any human know where she be staying at? Wait, how long is a human life span?
PP&C is explosive poetry, simply explosive like Occam. From one bomb-expert-mathlete and former recluse to another bomb-expert-mathlete and former recluse, both living as cellies, in prison max GP...I can relate to Lila Ċepa’s genius and her plight. It’s a lot like mine, but with less prison-break-dance moves. Genius accepts genius unconditionally. Even lost in the wilderness with incendiary chemistry sitting comfortably in the flame. Life is about how well we do that. CUE: R.E.M. "I Feel Fine!"
Ted Kaczynski. The Unabomber on his new Cellie, Lila Ċepa and her prison “Musical.”
It’s like…you know…Umm…an Über-Artsy-Musical produced by Maude Lebowski, umm, scored by German nihilists written like a ransom note to a holocaust that sings off key with a chorus of bowling strikes for the melody. An engaging score, like soft porn with zero tolerance for nudity...but holds fast to the cable guy cast by Jackie Treehorn, fixing “deine Kable” and other storylines with deeper entendres, like “Ants on a Log Jamming!” doubling as signs that mean nothing until a double White Russian and a little greenery is added to the scenery and landscaped to the inner zen of dudes like me: The BIG Lebowski...for those not into brevity, El Duderino stealing the PP&C Show and honoring us with a cameo. Doing a stretch of time on a wet carpet that really tied the cell-room together. PP&C…never smelled better.
T.H.E. DUDE. Doing Time for Possession.
Lecter, Hannibal. PP&C Craft Services. (Might wanna pack your own lunch!) Lila Ċepa Winyan Sapa is a garden variety cunt...of Whitmanesque multitudes whose particular garden is greener (on the inside) because it is well fertilized and full of Shawshank shit and nourished by an invincible summer. Lila Ċepa wears a pair of rose colored glasses and holds a particular brand of crazy that I can cultivate and develop into a green thumb that hitchhikes to the depths of prison hell where only rhubarb is planted and the leaves are served with fava beans and a nice Chianti made from senor Pazzi’s toilet hooch. Prison food to die for…and a PP&C musical to boot! Who doesn’t love dinner and a show with an impeccable host serving the finest among us, braised and brazen, big footnotes of her “Black Icarus” and head notes from cell-games of violent tic tac toe, where more than hugs and kisses are behind the X’s and O’s. Where Lila pisses like Lebowski and can get you a toe. Where Lila, like me, can prepare that medium rare, for those brave epicures living the dream, looking at human cures to sickly prison cuisine and can foot the bill and stomach the Red Pill. Spelling out the plan...on how to best serve man. And scene? Toodles, with oodles and oodles of toe nails pinned to the Crafty noodles.
Hannibal Lecter. PP&C Craft Services.
Lila’s “Musical” is so…disturbed and violent…the page turning spins you to a vertigo that will knock you out or stop your heart. I thought I was the joker that puts girls to sleep for the fun to start. Bill Cosby, upset at being turned down for his part in the PP&C Musical of T.H.E. Heyoka Clown! Did we mention our prison “turn down” service with Hannibal Lecter’s crafty in tow, for those creepers who are turned off by women who are turned on and know…a fucking creeper when we see one. Lila Ċepa sings, the big, fat, black lady steals the show, kicking Cosby to the curb, in a disturbed and violent way. His audition as a human was inauthentic and not good enough for Lila's Play. You know you are a bad spirit when Roman Polanski rejects you during your prison stay.
BILL COSBY. Didn't Get The Part!
PP&C describes three different ways to win a Nobel Peace Prize in medicine by wallowing through the Shawshank shit to find the Rhyolite classified Pico poo with an innocent spirit and an explosive clue from a quantum ex-lax in the relative bathrooms of the classified rosebud that blacks and blooms into an irradiated bubblegram from her prison pillow-fight-club’s secret minutes to auto-immunes swinging for the Mann, reverse engineered in the NBC land of secrets and antidotes. Under scopes it’s a viral hair of the dog, cures for chemo hang-overs and odd cancers that work like God to the believer and non-believer of TNT. I am the creator of TNT and the Nobel peace dream. Kind of like the “Kill Bill” Carradine winning husband of the year. Or, the violent musical of PP&C, that cues the fear so well, it won over the worlds of TNT and the Nobel. Lila Ċepa is a great singer of both war and peace who deserves a piece of my gold Swedish medal. Just like Henry Kissinger, a singer in the theater of war, that performed so villainous and well, I had to give that Op-40 intel whore, a peace prize signed by me. A. Nobel. Also announcing Lila Ċepa for…you guessed it…a blood-monied Nobel peace prize for her Black Icarus that flies in spiritus and her Rosebud Thief that grieves at her stolen glimpses in the spy world of make-believes. It was either her and her PP&C Shakespearean dream…or her new director that “choreo’d the Cue,” Harvey Weinstein, the New Maltese Jew for starting the peaceful #metoo.
AL NOBEL.
Karmically Speaking, Lila Cepa...You're Fucked.
The Dalai Lama explaining war-dharma to Lila Ċepa with Dara Dubinet in tow, on Lila’s second anniversary of his death date, on September 21, 2004. (Dara is the current life coach of emancipated singer, Britney Spears). We had brunch with His Holiness before a speech at UM’s Convocation Center. Currently the Bank United building on campus. The Dalai Lama’s trip was sponsored by Lila Ċepa and her FIU alumni association. Lila Ċepa offered to take His Holiness to a Strip Club near the Miami Airport where a Tuesday-Free-Brunch was being served that rounded the buffet around the stage. Tenzin Gyatso politely declined. In my defense, the Lama had a huge entourage and if I was paying, the Pink Pony had the best deal in town. Fuck that uppity Tibetan Nigga, I remember thinking at the time. And I knew unequivocally, the definition of his “Fucked,” when I came up for the role of Andy Dufresne in my pre-production of Shawshank-Shitty pipe dreams. I remember him saying I would get the future part. He casually mentioned that I had auditioned for the role as the philosopher/artist/chess champion named Marcel Duchamp with the same soul, long before I met him. I said sure, buddy, thinking of the lovely smells of Dara’s cunt. What can I say, I wasn’t very enlightened at the time. But...I know I can say this better: The Dalai Lama was not just a simple meet and greet, (9/21/04) but an elaborate heirloom in my memory…sentimental and bitter-sweet. An ornate room with panoramic views and a karmic balcony with loosened screws a spirited fall away from the high road cues lost on the back streets of my yesterday. I once surveyed the sweep and scope of my kingdom and wept, for there was nothing left for me to conquer but myself. And, from the looks of it, it was a bit like Hemingway’s Old Man and the Sea, but older and with a bigger boat, directed by Stanley Kubrick. Unfortunately, with run-on sentences on literary dry land, diving into motes of quicksand as a big, fat, black woman who once had tea and held the hand of a holy man, attempting to lead him astray…specifically, to the Pink Pony. A Miami strip club with a free Tuesday Buffet. Dalai declined, but in my mind, an heirloom hit the champagne room breaking risqué with a stripper slut named Mercedes Benz Desiray. I smile looking through smut of the after-life lens like an Idaho Hemingway with Kubrick’s Eyes Wide Shut, sweeping the broken shards of night away.
I’m Lila’s biggest fan. She could truly understand my EA-Pleiadian love vibration generated from the ripples of my pre-Parkerson’s pelvic shakes and swivels during my sick rock origins before the evils of the Colonel’s horror show scored with a ditty that sounded like what the country did to rocker Conway Twitty. Tragic harm of not being country tough, like me singing Old Macdonald Had a Farm. The PP&C musical is that rough and brutal. How does she see me dead on the throne? How does she hear me and my “Rosebud” with her “dead channel” phone? Why was there the following coincidences: (Before I met Jung in the after-life psych-ward, where the word morphs into meaning found in karmic consequences, synchronous while dreaming of sheeple jumping fences through other dimensions as people.) Lila grew up singing Psalms right behind my favorite Kauai bungalow in Coco Palms. She was born poor and haole-black, the same month as the cure for my movie blues/X-mas music comeback, where even my leather onesie made the news. Back in junior high, she lived right by the Elvis-opened Rushmore Civic Center. After High School, she studied at a top secret bio-weapons school, at the same Frankfurt Kaserne that I was stationed at and sat in the same mess hall where I learned to play a soldier-doll/super-star, driving all day and playing my nightly guitar. When her significant other died she committed suicide and saw human life outside of time. A fortunate squiggle back from a flat-line and…a cosmic giggle after an overdose, witnessing me in my Emperor’s New Clothes in the Graceland John. What? Opioids cause constipation! The King’s ass had a (super-glued on) NO EXIT sign. Lila’s Kool-Aid-spiked punchline poked fun at my “Shitty Rosebud” stuck on the loo, as I lost my body and mind to drug. Matrix pills of both red and blue from her prison-pillow-fight-club. Where her Lakota/Hawaiian bibliophile looks into her Akashic Library and checks out the books of spirit that enlarges the soul (and engorges the dick!) just like my rock and roll, always in season. Sex, drugs and rock and roll is our shtick for a reason! PP&C the new “Rocks” dancing in stillness to synchronous jazz, and other paradoxes that hum between the bars and brown eyes of her Alcatraz.
LUSH ELVIS PRESLEY. Resurrected from the dead by Luhrmann, Baz. Commenting on the Double Trouble of Lila Ċepa’s third-eye sight. The Rosebud Thief that rocks a Black Icarus at night.
Senate Intelligence Reports gave me breadth...but was constricted by a corrupted FISC. TPS Reports pierce the veil of rogue national security interests (bypassing the FISC) to show a shadow government with its own clandestine revenue streams derived from CIA's global "OP PEGASII" distribution of heroin and cocaine, with the assistance from JSOC Activity. Funds that bypass the GAO to pursue their own interests in National Security using Chapter S finance boutiques to launder the exponential profit.
Senator Dan Inouye. Director of the Commission on Indian Affairs and the Senate Intelligence Subcommittee. Written Summary of Lila's August, 2002 TPS Report on CIA Economic Hitmen: David H. Siegel/Ed Chism and their 70 MILLION dollar fleecing of Noriega's government pension fund. A Rosebud of American Wealth/Financial. A month before the Rosebud Thief's successful (then, abruptly unsuccessful!) suicide on 9.21.2002.
I have always believed that military personnel are expendable pawns in a global game of chess. LILA happens to be exceptional at chess...but is still an expendable pawn, just like all other military morons we have exploited in Europe, Korea and Vietnam.
Henry Kissinger. OP-40/20th Sniper Sheepdipper. War Monger/Nobel Peace Prize Winner.
"It (Operation PEGASUS) allows the derelicts and niggers of society to contribute to the economy."
WILLIAM CASEY. CIA Director. Thursday, Dec 11, 1986. 4:16 EST. When asked by the Commander of 20th SF Group why the black ghetto was being targeted by Operation Pegasus/CIA drug distribution networks. In his defense as a fellow Knights of Malta, he was dealing with a brain tumor. Perhaps the cause of his systemic racism? Also, I do not believe he would've said that if he knew a Senator's S.A.-Team was listening to him sing the colorful "white-man-black-tar-heroin-drug-running-black-ops-blues" upon our OP STELLAR WIND redirect.
Damn, you Americans are stupid. I’ve given you every subtle, cinematic clue I can and you still refuse to understand the daily deceptions of politicians that mask the truth and the artist like Lila that uses deceptions to unmask the truth to see those with their eyes wide shut under them, wearing the Emperor’s New Clothes, ruling their kingdom with rogue intelligence. I met Lila Ċepa at an orgy of smut she threw on Jeff’s pedo-island. Eyes Wide Shut was borne from the elegance of such a powerful group fuck. Kubrick channel tricked back with a seance that appeared to be a tuck, from a sacred feminine...whose dick was cut.
STANLEY KUBRICK ON THE INSPIRATION OF LILA'S EYES WIDE SHUT ORGY ON PEDO-ISLAND.
Lila has been with us on three “Lolita” flights from Boca Raton airport to my private island/resort of Sodom. Although she now lives by the strictest code of poverty and celibacy, she once lived down the street from me in Palm Beach County, (next door to NASCAR's Jeff Gordon in Highland Beach. His wife, Brooke shopped at Lila's MOB Honeypot: DIVA.) and on all three occasions, she generously hosted an “Eyes Wide Shut Orgy” at my estate, with annoyingly age appropriate chicks, where rogue intel asset/dicks like Stanley Kubrick, took notes by sticking his hands up at every angle of deep throats and vaginal scenery, like a pair of goalposts, whilst closing the evil eye to see with the artistic-porny lens. I was a Pedo-groomer for friends...and to the human stars like Roman Polanski, Bryan Singer and Stan Lee (sorry Stan, Lila loves you too, but knows about your “hot dog/pizza” oaths on Kauai!) and most of the lizard royalty dicks hopped up on post-natal adrenochrome, (post Savile picks) and to those malevolent off-planet entities who made earth their second home, masked as priests that know how to harness the power of the star of the East: the virgin boy’s anus while on their knees, with their Latin toys of spirited and inter-dimensional sleaze. I applaud these ancient-alien-sluts and more than man-whores nutting up nutty religion, unaware of my secrets in Queen Victoria and her "divine right of kings" court. I know, I know, we know not what we do keeping Karmic score, but I guarantee once more…once this sexed-up Jailbird starts singing, the clemency bells will be ringing my song of freedom. Mark my word, like Lila’s…we will be heard. No one wants to see my video of the overweight Clintons' sex party, Loli-jet-setting and Loli-gagging in first class, covered in shit and pee from taking a pass at the new lollipop licking, bed wetting (13 year old) virginal Mary. Deflowered with a PJ Rosé bottle. The new Bosnian Sex model giving it up by going down on the elite, marketed as the Virginal Trick and Rose-Lolita Treat to the Halloweeenies, wearing scary Bohemian Grove beenies, with Grotto credentials and keys to high-flying cabins, filled with Tweenies taking off bikinis for the comings and goings of politicians and Hollywood celebrities. I’ll name names like Lila Ċepa. These games didn’t work out well for her "Prose & Cons," but she didn’t have my nose in our black book full of power John’s, and the smells captured on the hidden videos...full of icons, for a future rainy day with psalms. Jeff Epstein witnessing the PP&C’s Raindance in dream. Making it rain, a day before his painless “suicide.” End Scene. Check the gate! Note a twist in the theme! Instant Karma! sings the late, great John…Lennon. Jeff Epstein replied in my seance’d scream…I may have a little dick and very low self esteem, but I picked Ghilaine Maxwell as my “Familiar” and well, that ruthless bitch has got mad game to carry on my legacy and continue my sexy dream of emotional vampires blunting fangs for hickeys on cornpone hicks framed in cheerleader bangs, yawping “Team Spirit!” with every barbaric ejaculate on the biblical massage table. A fable as old as Adam’s ribbing of his chick and his apple on the Lila Ċepa tranny. Uncanny like Lot, salting his wounds by sexually abusing his daughters. I heart Lot’s tot’s, too, from all fathers. I bid my Maxie an au revoir and happy I hitched my name to her brothel’s shooting star. A star that shines where the sun won’t, don’t matter if it’s peacetime or war. Dark matter or the tunnel of light where all ghosts are. Where Lila Ċepa’s Black Icarus sings at night. Whispers of her aria as a choir of light, where winter Rosebuds grow like sleds on heads of hilltops, cultivated by prison pillow fight clubs in the dead of feathered nights, with cops in on the jailbird plucking. Bad boys fucking with a dirty shade of turquoise, as the thin blue line spoils for royals of all jet sets, totally into the jump rope sets.
Jeffrey Epstein. So Wrong. Before and After his Tranny/Transition to the Light SIde of PP&C.
I was at Lila’s “Eyes Wide Shut” orgy on Epstein’s Island of upper-class-smut…I was wearing the Shiva, Hindu God of Destruction mask, looking for a Kali-slut for Hieros Gamos. I believed Lila’s women were too old and loose, walking with recycled lasagna juice dripping from their cameltoe, so, I brought Jeffrey’s pre-menses ‘tweenies with Twinkie’s, and creamed the curtains and matching carpets with my imperial pearl, greater than Steinbeck’s. Welcome to my privileged world. I had a royal sugar blast in a young ingenue’s virginal ass. For my sweet tooth, I had to quietly cast…Jeffrey Epstein as my “Familiar.” That’s our gods’ truth, after my last pedo-groomer-Familiar with mad skills named Jimmy Savile got caught with his pants down. Downhill…things went quickly, but nothing can touch the uppity-lizardry of our royalty, and the sexual kink of my chameleon losing a tail in the human stink, and what’s best, I think, is every regal fail, I can do with impunity. Divine right of kings means I can grow back a tail, and like being in love…it means, I never have to say I’m sorry. Your high road above, is gods’ low road. Gods like me, and all other royalty, hiding their inner toad. Kiss my frog as I shape shift into a princely mode, to lift my kingly log so you can lick the fecal ants off in my fiefdom’s commode. Don’t get any celery salt or pepper on my sovereign pants, it doesn’t go with my royal oats sowed.
PRINCE ANDREW. IN A PRE-PP&C SHU. Special Housing Unit.
A trilogy of booked jailbirds singing in a musical play, is priceless…in the worthless kind of way.
[PUNCHY PALOOKA. Fugitive of Marcellus Wallace. When Marcellus was notified that Punchy was Lefty-Lila's Magician's Assistant he responded with "NO COMMENT" pawned off as a pensive whisper.]
It’s a shitty Shawshank book that makes you wanna quit reading. The networks leading a conspiracy to print more putrid pulp fiction to motivate people to watch more TV. PP&C is an ebook trilogy that’s not worth the imaginary tree they took from the mirage of forest. Her musical in book form, is at best, like going to see the movie Pulp Fiction at the drive-in, on a motorcycle, and the power goes out and the owner has a copy of the screenplay and table reads it, under flicker of flashlight.
INT. COFFEE SHOP. DAY
Drones on and Off Screen: Zed’s Harley motors away.
Cue-ing another thief out at night, remote viewing Black Icarus stealing Rosebuds from third eye sight.
At worst, PP&C pillow fight clubs, Bourne under prison’s Starry Night, that hurts as much as it instructs with dance and rapey-fucks in verse and hands of sleight with feet that disappear in flight. A bad magician pulling prison-fuck-bunnies out of hats, and then disclosing all the secret facts. The prestige of the master class, pledged in “T.H.E. PEN,” that turns and writes in the ass, in a Shawshank shitty text, leaving behind the smells of a crappy book with all the prison sex. A silent musical best unread. I stole a bike and went to the Drive-In instead! Got busted turning me into a magician’s assistant in the pen.
Butch “Punchy Palooka” Coolidge with more than his pop’s gold watch up his rear end contemplating T.H.E. Golden Pen left behind. Doing a stretch for grand theft of 3-5 hard time. A boxer fixing the pillow fight to stay alive. Exit stage left. Misdirection Right?
Like any good magician’s assistant, with a vested interest in not really getting sawed in two. Hand gestures play in karate with doves hidden in the gloves, crushed by impacts. Magic lost to a bloody coup. Facts: A bird in the hand is no longer worth two in the bush-land. And a trilogy of booked jailbirds singing in a musical play, is priceless…in the worthless kind of way.
When Fear Comes To You, Sing to it. Dance with it, Keep your Cue. This is that kind of Musical.
[Lila Cepa's Director/Inmate: Roman Polanski.]
Lila Ċepa’s lights were a little bright for someone who knew she was entering the dark and didn’t want to take anyone with her. She’s been celibate for 14 years. It was hard at first cuz she had money. So, she solved that problem, to make it easy for her loved ones, and handled every financial situation with the hands of Shiva, the Hindu God of destruction. Prison from 10-32 kicked on her sobriety. Simply to find insight and clarity in the quiet, in the unseen and poor. A fugitive from her own riches, attaining a wealth of spirit that sickens the human, offering kitches for the cure. Would be a very distorted version of the truth, to be sure! It was more…losing her family to an unsigned mob deal. That hurt for mother fucking real. What they saw was her genius. A genius they tried to steal. Yoda spins in the reel-to-reel, with the following clue: “No try, do!” As she disappeared in real…poverty. Play the d minor chord, (d for destitution) and play Harrison Ford in the Fugitive movie. Praise the Lord! A silver screen God thinking golden dream dialogue like: Why steal when All is within you? This is that musical of horror. The Horror: When Fear comes to you…sing to it, dance with it, keep your cue. Played by the homeless woman orchestrated full of poo, with no pot to piss in, so she’s gotta shit on you. This is THAT musical, that offends…to the sense of smell. Wait, till Lila Ċepa dances with your other senses! It’s like mistaking prison for an easy sell. Cue the background dancers and the lead Thunderdome fighter. Call the CIA for more cocaine. This feels like another all-nighter, moaning in choreography pain. Cue: Ozzy’s Crazy Train.
ROMAN POLANSKI. A consummate cinephile. Lila Ċepa’s director-choreographer-cellmate. The dreamy-pedophile-Hollywood-hyphenate that sacrificed his wife for a good life abroad with jail-bait and the global elite, until a rogue Hollywood tweet called him back to the US to castrate the reprobate in a sting operation that cuffed the hands of the known pederast to the prison nation. Roman Lands on the casting couch in Lila Ċepa’s sex camp in red-low-lamp lighting, choreo’ing the musical and footloose debauchery. How exciting.
High rails footnote seldom spoke: The CIA used to sell drugs. They still do…but they used to, too. RIP Mitch Hedberg. A bird who lost flight to a pegasus that shit on Van Gogh’s Starry Night. Black Icarus was born with wings and third eye sight. An X ray vision that only works at night. This is that rhythmic ceremonial ritual, that crawled through Shawshank plumbing, to get to the spiritual, with the inner Andy Dufresne summing up the obvious pain, of the loss of innocence in a police frame. Where lies controlled the destiny of a director trying to outrun war-torn karma, that vectored her name in cloud atlas script and a rejection of big Pharma, from multidimensional lips, long before life’s game. It’s that kind of musical, where you feel gang raped in the soul, trying to find blame. There it is. No try. Do or not do. Lila chooses “not do.” Be, first. Then, do. The libretto is gifted from when she chose honorably, but unwisely. Or worst, cast in a wise but dishonorable part, cuz she thought her heart was bullet proof like her soul, or like a Jason Statham role. (A final curtain simile, for those atheists with no concepts of the infinite, “to be or not to bees,” buzzing behind the eternal spirit.) This is Hamlet set to dance and song. The bars were added for a quiet sing along. Stars of a captive choir, sung all wrong. Sounding off, like cats on fire, after throwing the Molotov. Dancing with Shiva in the wire. Would you keep your cue in this so-so cue-l musical? Do you have the mettle it would require, for a Tony or a gold medal, playing super villainy. The marquis back-lit by funeral pyre. Scored in heavy metal. And Action! This is her PP&C Special! Enjoy the Psalms of devils with angels caught in the wire and highly classified low places with no interests in aiming higher. Cue: “Garth Brooks Wuz Here” carved in the wooden choir. These are her friends in low places in musical form to inspire rapists to require a form of consent from their bent over conquests (Cue Shaggy. “Mr. Luva Luver”). This is THAT musical that takes requests!
GANDHI REINCARNATED ON PROSE:
I have never been more ashamed of my belated maxim that goes: “Be the Change!” used in human context of the world who forgot to stop the shows of violent spectacle on the never ending range and smell the hidden Rose caged in this Strange-love musical, as a rosebud thief and her big, fat, black lady steal the shows by singing behind bars, in an off-key Koyaanisqatsi chorus from the shadows of stars and a force of dark matter that knows no better. Lila was a soldier, then a repentant soldier of Satyagrahi. And then she was attacked and unleashed her fury on her corrupt police-family attacker. A thin blue line used to hack her truth and draw the false narrative mine, that exploded at her trial. I recognize her plight and hard time and applaud her style of violence that would arc to the light, to satyagraha/non-violence…eventually, after a long, long, long prison night... Where I saw Lila weeping in her Thunderdome with my after-life sight, feeling adrift in her prison home after another tedious fight. A hand to hand expert and third-eye black belt, I felt her Black Icarus look back at me and I knew she was in the right when she asked me the only right questions of the afterlife: Was I worthy of learning such pain? What will my spirit gain from blossoming under such gardens of strife? I didn’t have the heart to tell her that PP&C was good, but I’ve seen a better musical in Bollywood. This was before I went the way of all good peace activists. Killed in a play of poverty in the hood, with change on our lips, and broken hearts, fully understood. Even the worst parts, the parts we kept from ourselves, and silently and regrettably rued as bells that toll for others. Others always cued. Lila sings “Keep your cue, be in the moment, however rude. You never know what it can do, what harm can be cued from choosing a role of absentminded charm that can befall the soul or ruin a good mood. We, the meek, draw our last breaths with the pen of halo effects. T.H.E Pen creates a new sunrise at our deaths. We color that horizon in rebirth with a vaginal pink. A birth canal to the light passing through human decay and stink to be reborn with experience forged in the smithy of second sight. A fiery link to the third-eye-spirit forgotten with a picture perfect lesson, we still must frame. A Mona Lisa smile on our original face. Our original name replaced by the hearty yawp of our soul’s human embrace. Looking back in perfect time and space, we must only remember our original place to laugh holding the mirror of the God’s. Face to face. Meek mano a meek mano. Divano a divano." The Strength of the Meek Manifesto.
A writer's sage "anyway:"
Mom and Pop shops founded here in America built from the capitalist heart!
So? Big fucking deal! (Wal-Mart.)
Mall’s foundations laid here upon this great nation’s sacred ground.
So? Big fucking deal! (Amazon/World-Round.)
Shakespeare reincarnated here in skipped iambic pentameter as Lila Ċepa’s plays in PP&C.
So? Big fucking deal. (A.I./End of the paid Hollywood screenplay.)
Man’s conflict played in a theater of war on the planet’s stage.
So? Big fucking deal. (The age of A.I. Cyberdyne Systems/Sage-Terminator Program.)
According to Lila Ċepa’s choco-covered strawberry oracle. May as well join her for a fruity musical before we are all a bowl-full of still fruit. Gandhi told her in an astral meet-cute that what she did was insignificant, but it was very important that she did it anyway. How does one argue with Gandhi’s play on “Be the Change…” Do we keep our Cue? Because what we do will be insignificant, but it’s very important that we do it anyway. Anyway...
SHAMAN BLACK ELK ON BLACK ICARUS PROSE:
Lila Ċepa is the manifestation of my vision that I had upon the high hill of my old age: a conflation of modern medicine with sage, holistic principles of shaman and osteopath alike. A medical intuitive on the wrong and right path to enlightenment. Singing her paradox in song through the pipes and sewers of her own Shawshank, to thank the remote viewers that trained her to see in the karmic “Hopi” vision that aimed her Black Icarus past the bars (hummed by all in innocence) dancing with her own stars (in a visionary’s sense), choreographing in the theme of a prison musical, a shitty pipe dream that stars the Heyoka-fool, clowning with pain. A cool Thunderbird to arise from the strawberry rain of her violent Thunderdome, making a wise home out of all this fruity nonsense. To be in this world, but not of it. Teaching “Amor Fati,” to face the darkest of fates and love it. To embrace your FEAR, and dance with it. To place that fear into your heart and sing to it. Centered for the best view. To play your part. To keep your Cue. Black Elk. Reincarnated as Black Icarus in parable, prophecy and clue. Bigfoot-noting the future for us. You…are welcome to PP&C and her musical crypto-zoology.
"PP&C is the world I imagined, while I was busy making other plans. When you tell Lila's truth you wont have a lot of friends, but you will have the right ones. Lila has all the right ones."
John Lennon's Rotten Strawberry.
"PP&C is the shaman's journey of the Big, Fat, Black Woman learning soulful neologisms that enrich the language of the spirit in the sewers of her Shawshanked Garden of Rosebud."
GRANNY WITCHY WANDA BLACK ELK.
"Her trilogy is one of my greatest fears: The bat I ate reincarnated as Lila Ċepa, (as of late) to blow my mind on a new way to be. Now, Time after Time, I bark at her moon and see, Mama, I’m Coming Home, always holds new meaning to me. On the Road to Nowhere and somewhere, simultaneously.
[OZZY OSBOURNE. On the paradox of PP&C being borne in the after-life.]
"Lila Ċepa does not take sides in Prose and Cons. This crazy train ride’s too short for only one curl in the term of rights and wrongs, which hurls of bad writing and looks and feels like a bad perm on Barbara Streisand, grown a few decades too long, in the shape shifting sands of lost time. An unrelatable flower growing in a fuzzy mind, like an antiquated Rapunzel doing a tower of hard time, that MK-sounds of off-key songs in the key of misery as she cries No More Tears! Her trilogy is one of my greatest fears: The bat I ate reincarnated as Lila Ċepa, (as of late) to blow my mind on a new way to be. Now, Time after Time, I bark at her moon and see, Mama, I’m Coming Home, always holds new meaning to me on the Road to Nowhere and somewhere, simultaneously. If you read Lila like you properly viewed The Shining, you too can be cued, to open your eyes and see, the progressive paradox of moonwalks backward, where we cue the fear, to sing to it. We cue the fear to dance with it. We cue the fear to see if you keep your cue. Are you cue’l enough for her version of Shakespeare, here?"
Ozzy Osbourne contemplating about being born into the after-life part, but not before experiencing the musical: PP&C, near and dear to his heart. Through the mystique, we hear him missing his dear wife Sharon in the subtext of the critique, with no more tear, awaiting, patiently for her to depart from here, to reunite in the bigger heart that beats in prayer. Timeless and priceless in a worthless kind of way. Exactly like the songs of Prison Prose and Cons, beating, beating, beating like deviled egg and psalms, against a corrupted zeitgeist current, borne ceaselessly into a past spent as cool hand Luke. Reading, readin, readi…Are you ready for a yolky prison meet-cute? or meant to press play on a rhythmic ceremonial play on folksy words and state hummed bars, adding a musical in the mud (ad astra per aspera) pining in the batman blood, for the moon and the stars.
Black Icarus chilling with Ozzie, Bowie, and F Scott on Mars.
"The remote viewer called the Rosebud Thief, 'Shawshanked' beyond belief, by a shitty blue family. Cast in a guilty role, with 10-32 years stamped in verse, on her innocent soul. Enjoy her musical universe. Her starry libretto, prison inked in blood and inmates acting their worst. An apocalypse from revealing lips to have a laugh, to rehearse until the Notorious Fifth Business raps for all of us." Christopher Wallace/Biggie Smalls/Notorious BIG taps into the world of the PP&C.
Lila Ċepa’s truth is like the sun in your solar system. A truth way too bright for one to look at directly, in a world of universal deception and dark theme. Her truth shines on the ignorant, with and without sunscreen, knowing that her truth is finite, and her own ignorance, infinite, moving from a Ptolemaic spirit to a Copernican dream. Within her truth are three ways to find the extant cures for cancer. A government entity that blocks the cures for cancer with three “Majic” words, words, words. A PICO that sees at .49 angstrom, to prove a viral digestive tract. A “Pegasus” shackled as a cocaine mule, grounded in government sanctioned flights to fool the DEA and finance black-bag ops every night for a rogue Bush-backed CIA with a stolen 70 million from Manny Noriega acolytes, economic hitmen David Siegel and Ed Chism locked in her secret surveillance sights in Aventura. Cool! Cool! Cool Hand Luke in an I-Spy sting. Poetry of Intelligence with a classified ring. The big, fat, black girl and her finite things in her operatic world, before her gated-community sings her chorus of butt-play by force, her Black Icarus dances above the prison golf course. The remote viewer called the Rosebud Thief, Shawshanked beyond belief, by a shitty blue family. Cast in a guilty role with 10-32 years stamped in verse on her innocent soul. Enjoy her musical universe. Her starry libretto prison-inked in blood and inmates acting their worst. An apocalypse from revealing lips to have a laugh, to rehearse until the Notorious Fifth Business raps. A fourth dimensional graph, scripted with a trinity of bombs, CV non-wire taps and bombast, as the mighty curtain falls, the trinity of free at last, transcends duality to One.
[Christoper Wallace/Biggie Smalls/Paradox.] Seance’d and rapping a duet with Black Icarus from the darkness that calls us from beyond. Necessary in theater to change scenes with every dance and song. And the falls we arise from. Cue the FEAR. Sing to it. Dance with it. Keep your cue, here and in dance lines, long gone. From Brooklyn to the great white way, past Broadway in the brightest light of a new dawn.
"An Oh Henry Leaf, hidden from all of us, painted with magic and Deja vu grief, with new colors that gush, when the electric is turned off. Caught in the darkness in disbelief."
[NIKOLA TESLA in spiritus. The Real Lightning Thief.]
Deceptions sing for today, just as in my day. The musical of tomorrow has been scripted in Lila’s libretto. What I know and did for the world of tomorrow in engineering, she has done in choreograph and song. Cue Golden Earring. Radar Love plays long and laugh with my footprints in the sand, reaching from the electric of the long, long gone, well beyond the darkness in man’s voodoo, that I tried on your side to illuminate like Lila Ċepa’s remote view, and her fate beyond my belief, the magnanimity of the great Rosebud Thief, who steals the night with Black Icarus. An “Oh Henry Leaf,” hidden from all of us, painted with magic and Deja vu grief, with new colors that gush, when the electric is turned off. Caught in the darkness in disbelief. [NIKOLA TESLA in spiritus. The Real Lightning Thief resonating with the Rosebud Thief.]
ALBERT EINSTEIN Finds PP&C Fishy!
If you judge a fish by its ability to climb a tree, it will spend its entire life thinking it is stupid. Judge Lila’s musical of silence and spirit to be like that stupid fish moon-walking up palms to heaven, dropping her own psalms and hidden gems, Robin Hooded for the masses using T.H.E. PENS, to script the remote viewed upper classes with ‘The Halo/Heyoka Effect’ PENS: From quantum to…it’s all relative. I give PP&C tens in prose and verse. From her entangled multi-verse where ‘spooky actions from far’ are seen clearer, and nearer hurts the worst, ghosting in the mirror. I can denature a star and the atom but know not how to denature the evil in Adam and Eve until now. Read PP&C for the quantum world of surveillance and spy craft, to laugh and point at the innocent man in the joint, remembering a space-time long past. Knowing, so...too, shall everything pass into the dark matter of a black hole, Hawking Radiation like droplets of soul, to cocreate matter factly, a divine role.
Albert Einstein in a Droplet. Made whole by an ocean outlet, polluted with Lila's toxic sweat.
FREDDIE MERCURY ON BLACK ICARUS.
I got a big mouth. More teeth in my pouts gives me a greater bite and greater emotional range on the mic. To be the change, while you’re busy making other plans is to see…what Lila Ċepa demands from you and me when Hannibal Lecter-like “strange” becomes your daily reality. A dream of a screaming of lambs, as you lose your taste for flesh with themes of the prison prom queen, slaughtered in her Sunday best while dancing to Bohemian Rhapsody. All prom kings in Lila’s La La land are still listening to Radio Ga Ga with TV on demand which puts me over the moon nearer to Mercury, where my namesake can land at home, grateful to have broken free from Lila Ċepa’s Thunderdome and the flight plan of her Black Icarus. Ta Ta. The one and only Freddie Mercury closer to the sun. Ta-da. Music of a holy spirit embracing the magic of One.
Samuel Beckett angsty and absurd on PP&C.
Shakespeare in the park has been moved to the parking lot of the prison. Shakespeare has reincarnated as a violent convicted felon/consummate villain, making his mark as a willing playwright with The Heyoka/Halo Effect Pen that writes upside down for those astronauts behind bars on top of world with cocks in brown stars shooting supernova jizz with moon-eyes wide shut and the Fifth Biz shaking his head, but in a Zeus-ie operatic way. Misread in judgment by the Greek gods in play, PP&C is led by the soliloquy of the Seer, to see tragedy with no fear. Because when fear was summoned, the Seer sang to fear. The Seer danced with the fear. The Seer kept her mark in it, and summoned something greater in spirit. A dark night of the soul with kindness cast as the leading role…eventually. PP&C calculates the colorful character arc of a former Green Beret who now does Shakes in the parking lot of a prison. An Intel asset who now identifies as a ‘Big, Fat, Black Woman/Lila Ċepa Winyan Sapa.’ Formerly Hapa Hendrix found guilty with special effects in a court of dirty blue, where justice and truth fell, too. Stuck doing 10-32. This is rage. Rage against the gods, dancing on every page under a prison inked moon. Memoirs scripted in red, making a bloody good tune! Catchy despite its pitchy nature being all wrong. A period piece forgotten in a sentence too long. It’s the same ol’ song: Menses in every Cellie meet-cute. Grammar was never her strong suit, so this book is in musical form in the font of a cut skin flute. Have a look at a bit more than the norm, have a taste of choco-covered strawberry fruit. A new culinary art form that costs the same as a salad tossed with a side of sperm, with T.H.E. Pen on the inside of the penitentiary, wrapped in anal wrapping paper, discovering a new moon orbiting Uranus, like Le Verrier discovered Neptune with a pen and the pen-is mightier than the sword, in butt-play and other crappy things that happens well before the Big, Fat, Black Lady sings like a jailbird and dances to music, no one’s ever heard. And so is the PP&C word. A musical pioneer to the new theater of the absurd, staging fear with a laugh, and close quarters combat set to choreographed bars and metal bats, shooting for the stars with a longer run than Cats. Tickets Please. Samuel Beckett ghosting on PP&C’s stage. Raging against Lila Ċepa’s absurdities.
STAN LEE ON LILA'S BLACK ICARUS:
What I did for comics and the superhero genre, Lila Ċepa has done for the super villain and the musical. Her torch songs give rise to her Black Icarus scripted in cloud seeding and night shadow. Bleeding set to song with violence choreo’d by a new chapter of the prison-pillow-fight-club. Each PP&C cell is a cube of onomatopoeia dubbed in verse, with rubes as the worst cellmates and legal boobs that make my Marvel universe’s coterie of dudes in superbad leotards fall to envious moods looking like oblivious retards next to Lila’s wards of the state/cellmates and the devious guards that break bad in her gardens where her sad origin story blooms. A Black Icarus that looms above her gated Eden under blood moons worthy of any of the Marvel goons I ever created. Stan Lee. Singing after-life tunes. Belated.
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